Terms of Service
Terms of Service
By accessing and using this website, the user accepts the following terms and conditions.
Intellectual Property
All artwork, images, text, and content present on this site are the property of artist Lucía Gómez F and are protected by copyright laws.
The purchase of an artwork does not imply the transfer of rights for reproduction, distribution, or commercial use of the artwork's image, unless expressly agreed upon in writing.
Availability of Artworks
The artworks available on the site may change without prior notice. Some pieces may be subject to availability or may have been recently sold.
Accuracy of Images
Every effort is made to display the artworks as accurately as possible. However, colors may vary slightly depending on the device's screen.
Prices
The prices of the artworks are indicated on the site and may change without prior notice.
Right of Cancellation
In case of an error in the price, availability, or information of an artwork, the artist reserves the right to cancel or adjust the order with prior notice to the buyer.
Use of the Site
The user agrees to use this site only for legitimate purposes and not to engage in activities that may affect its operation.
Modifications
These terms may be updated periodically without prior notice.
Lucía Gómez F
— Body, memory, and territory in the pictorial gesture —
A practice born from the body
Lucía Gómez F's artistic practice centers on the exploration of the body as a territory of memory and identity. Through drawing, painting, and the incorporation of materials such as threads, papers, and fragments, her works construct images that emerge from matter and gesture.
The feminine experience as transformation
Her work specifically addresses the feminine experience, understood as a space of transformation where the intimate and the collective intertwine. The figures, often fragmented or reconstructed, evoke personal and cultural memories inscribed in the body.
Territory, displacement, and belonging
In recent series, the artist also investigates the relationships between identity, territory, and displacement, exploring how migrations and life journeys transform the perception of the body and place.
Three ways of inhabiting art
From this practice emerge three expressions that dialogue with each other, like three branches of the same tree:
Original artwork
Canvases and drawings where plastic research finds its purest form. This is where the initial gesture resides, the matter that transforms into an image, the body inscribed on the surface. Each work is a fragment of a broader process: an exploration of identity as a continuous reconstruction.
Wearable artHand-painted bags, fabrics, cushions, and everyday objects. The same textile material that inhabits my works—threads, fabrics, fragments—extends to what accompanies daily life. Each piece is unique: it is born from a drawing, transforms into an object that is touched, used, inhabited. It is my way of understanding that art is not just contemplated: it is also worn, lived, integrated into the small rituals of the day.
Workshops and art therapy
Spaces for shared creation where I accompany others in finding their own process of reconstruction. From my experience as an artist, I propose a journey where drawing, painting, and gesture become tools to explore memory, the body, and identity. It is not about teaching a technique, but about offering a safe space where each person can inhabit their own material, their own fragments, and build from there. The workshops are open to those who feel that art can be a path to self-knowledge, regardless of their prior experience.
Three forms of the same language: art as the reconstruction of identity.
I invite you to explore my original artwork, discover the objects that spring from it, or join a workshop if you feel that art can also be your space for reconstruction. Each form of my work is an open door.
